Rosa Anschütz was born in Berlin in 1997. She is a musician and sound artist whose practice synthesizes composition, installation, and performance blending the dark ambiance of post-punk and cold wave with ethereal polyphony and synth-driven melodies. Anschütz graduated from the University of Applied Arts in Vienna in 2021. She has released three LPs: Votive (2020), accompanied by nine clay sculptures inspired by votive offerings; Goldener Strom (2022), which was staged at the Deutsche Oper in Berlin; and Interior (2024), featuring nine tracks, each track accompanied by a sequined landscape hand-stitched by Anschütz. Her work has been exhibited and performed at venues including the Goethe Institute in Tokyo; Mayhem in Copenhagen; Silent Green, Deutsche Oper, and Künstlerhaus Bethanien in Berlin; as well as Supersonic Records in Paris; Karmen Camilain in Strasbourg; and numerous festivals such as Audioriver in Płock; Grauzine in Den Haag, Plissken in Tavros, and Donaufestival in Krems to name a few. Her latest work is the movie score for How To Be Normal and The Oddness of the Other World, directed by Florian Pochlatko, which premieres at the 75th Berlin Film Festival in 2025. Anschütz is signed to the Los Angeles-based label Heartworm Press and currently lives and works in Berlin.